Illustration of Derek Powazek by Adam Ellis

This Year’s Girl

Into every generation, a pouty blond is born …

Take Buffy the Vampire Slayer and remove the vampires, the witty dialogue, the compelling characters, and the genre-bending ideas. Add in more demons, more religion, a cast that all look like they just stepped off a runway, and give everyone utterly selfish motivations. Finally, take the girl, the pouty blond with the weight of the world on her shoulders, and remove her higher calling and replace it with a lower one. There you go: You have Point Pleasant.

If Buffy was a tale of female empowerment wrapped up in a vampire story and smothered in fantastic writing, then Point Pleasant is a female disempowerment story where the protagonist is simply buffeted from one teary moment to the next, utterly devoid of the genre aspects that allow a story to willfully diverge from reality, and smothered in people much too skinny to be real.

Which is really too bad, because the story could be a great one: The daughter of satan and a woman, with the power to do good and evil. It’s much like the central tension that drove Buffy and Angel: Sometimes to do good in the world means looking at the evil in yourself. It had promise.

But while Buffy was on a quest to find her place in the world, and Angel was on a quest for redemption, Christina just seems to be on a quest to pout and make bad things happen to bad people. In fact, everyone in town seems to be so selfish and pointless, the only person I find myself rooting for is Lucas Boyd, who is, by all appearances, the villain.

Mostly, I just miss having a Joss Whedon show to look forward to. Hurry home, Serenity.


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Hi, I’m Derek. I make awesome community-centric web stuff. I sometimes post things to Instagram and Twitter. I’m mostly harmless. More.





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