links for 2009-04-06
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Toldja.

So lemme get this straight. It costs $8.37 for me to get a book made of paper, laboriously printed on dead trees, shipped across an ocean, put on trucks and planes and delivered to my door. But for me to download an endlessly copied digital file, it costs a $1.62 more. In what universe does this make sense?
And, yes, I was looking at "I Will Teach You To Be Rich". I was curious. So?
My point is, newfangled businesses need to be priced fairly if they hope to supplant existing ones. Apple knew this instinctively with the 99 cent song. The first ebook publisher to be successful will not be the one that charges ten bucks for a digital copy.
Today at noon I’m playing Layer Tennis with Jason Santa Maria with none other than Jim Coudal doing the play-by-play. This is like the principal of the school being your substitute teacher. Be there! And be sure to Twitter your comments.
UPDATE: That was fun! Thanks for attending the match, y’all.
This may be the best time in history to make media. I’ll explain why, but first a personal story. It’s relevant – I promise.
Santa Cruz, 1991-1995. I worked for a few different newspapers, but the one closest to my heart was The Fish Rap Live. I started out there as the Photo Editor. By the next year, I was the Editor in Chief.
The Fish Rap was a free newspaper. We published twice a month throughout the school year. It was staffed by students, some in the journalism program, some not. We were the weirdos, the wannabe Hunter S. Thompsons, the freaks too strange for the mainstream college newspaper.
Every other weekend we did a production binge, usually in my apartment with plenty of beer and cigarettes, and we put together the newspaper using computers that would be laughably quaint today. I drove the flats to the press in San Jose over highway 17, a twisty 2-lane mountain pass, in a VW Bug that was older than I was. A couple days later, I drove back and filled that old car with thousands of copies, lugged them over 17 and back to Santa Cruz, where we distributed them by hand to students on campus and around town.
The Fish Rap was ad-supported, which meant that if we got a lot of ads, we could print lots of pages. If not, we couldn’t. I never saw myself as an ad salesman, but knowing that you have to cut stories if you can’t afford to print them is great incentive. I found myself hustling to get the paper out.
At our weekly editorial meetings, we sat in a room together and fretted. If only there was a way to sell more ads, so we could print more copies, so we could reach more people. This was 1993. Two years later, the web exploded.
The end product of all that work by all those people? A few thousand copies of a free paper, scattered around a small town, every other week for a few years, and now squirreled away in my basement. As far as I know, the Fish Rap is still publishing.
Flash forward to today and here’s what we have:
The distance we’ve come in the decade and a half since I was driving newspapers over highway 17 in a VW Bug is astonishing. I look at the tools available to media makers today and can hardly imagine a more ideal environment. So why is it that all we hear about the media industry is doom?
The media dinosaurs point at a few scapegoats.
Traditional media companies had a monopoly on information for a few hundred years, and they got used to being in charge. And when the net came along, they ignored it because it wasn’t How Things Were Done. So the net did what it does: It identified the blockage as damage and routed around it.
The media companies clamoring about the death of print are not really worried that we’ll live in a world where there’ll be no more ink on paper. That will not happen until e-ink devices (like Sony’s ebook readers and Amazon’s Kindle) become as cheap and disposable as paper, and I’m not sure that will ever really happen. Ink on paper is still valuable, because it’s really good at what it does. But what it does is changing. We no longer print historical weather tables on paper. Maybe the news is just better distributed digitally. And, if so, what’s really wrong with that?
The real reason traditional media companies are freaked is because they’re losing control. They’ve dropped the leash and the dogs are running wild. Now they’re sitting around with their arms folded saying, “They’ll be back when they realize they need us.”
Sorry, guys. We don’t need you. You can join the pack and run with us if you like, but the leashes will never be back.
There has never been a better time to be making media. There are more tools to help than ever. There are more media consumers and media producers than ever. The world is more literate and media savvy than it’s ever been.
If media companies are suffering, they only have themselves to blame.
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Other smart people thinking about this stuff: Clay Shirky, Jeff Jarvis, and Scott Rosenberg.
I’m serious: Start your own damn magazine. It’s easy. Make something.
Mike Rohde is a designer who attended SXSW last week and filled a notebook with sketches and notes on the panels he attended. Luckily for me, he attended my talk, too.
You can see all his SXSW Sketchnotes here. Thanks, Mike!
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